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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation view: In the Forest, Even The Air Breathes</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Robert Zhao Renhui, The Pond (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Robert Zhao Renhui, The Pond (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Robert Zhao Renhui, The Pond (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Nguyen Trinh Thi, Landscapes #1 (2013)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Karl Castro, Sung Tieu, Joydeb Roaja</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Karl Castro, The Rustle Of Leaves (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Karl Castro, The Rustle Of Leaves (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Karl Castro, Sung Tieu, Joydeb Roaja</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Karl Castro, Joydeb Roaja</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Karl Castro, Joydeb Roaja</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Karl Castro, The Rustle Of Leaves (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Karl Castro, The Rustle Of Leaves (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Karl Castro, The Rustle Of Leaves (2020)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Karl Castro, Sung Tieu, Joydeb Roaja</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Sung Tieu, Song For Unattended Items (2018)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Sung Tieu, Song For Unattended Items (2018)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Sung Tieu, Song For Unattended Items (2018)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Joydeb Roaja, Searching My Roots (2019 - 20)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Joydeb Roaja, Searching My Roots (2019 - 20)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Soe Yu Nwe, Khvay Samnang</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Installation View: Soe Yu Nwe, Khvay Samnang</image:caption>
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      <image:caption>Detail: Soe Yu Nwe, Pink Serpent (2018)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Detail: Soe Yu Nwe, Green Burmese Serpent (2018)</image:caption>
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      <image:title>Curatorial - In The Forest, Even The Air Breathes - GAMeC, Bergamo (2020)</image:title>
      <image:caption>Khvay Samnang, Preah Kunlong (2016-17)</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Liew Niyomkarn. แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/5347933d-50cf-4477-a684-960bd4d608fe/C0065.MP4.03_08_35_00.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>แปร่ง // praeng proposed a coming together to utter and assume the various tonalities of our voices that disrupt an induced and coerced homogeneity. In responding to The Against Nature Journal, แปร่ง // praeng reflected on language and speech as forces that shape our bodies and worlds. It took as its starting point, voices and sounds read as off-tone, dissonant, abnormal, to explore the relationship of orality to the intersecting queer, feminist and pro-democracy struggles in Thailand. แปร่ง // praeng unfolded around two nodes: an open discussion with invited guests around topics of law, language and queer rights in Thailand, and a sound performance, attempting to sense through the tensions and stakes at play in dynamics of loudness, quietness and silence. Developed in collaboration between Jeanne Penjan Lassus, Viktoria Pitaktong, and Council/The Against Nature Journal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/5ccaba65-eb4c-4022-941f-60fd815c5bd6/Sequence+01.00_00_18_13.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Sonic Continuum Panel Discussion with Protozua (Rap Against Dictatorship) and NUH PEACE Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The evening commenced with the performance of a newly-commissioned audio-visual performance realized in a collaboration between Lemos, Liew Niyomkarn and Chulayarnnon Siriphol. Accompanying the performance by Liew Niyomkarn and Chulayarnnon Siriphol there was an ongoing discussion forum organized by members of independent music collectives in the city, bringing into focus issues central to their practice. Conversations included discussions on problems facing independent musicians, issues of working in nightlife, social schisms within families etc. This was be followed by performances by the participating musicians.</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>JAM Cafe Bangkok, site of Sonic Continuum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/2f95502a-7b5a-449b-8f8e-9a838d12cbe2/Sequence+01.00_00_38_10.Still013.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The evening commenced with the performance of a newly-commissioned audio-visual performance realized in a collaboration between Lemos, Liew Niyomkarn and Chulayarnnon Siriphol. Accompanying the performance by Liew Niyomkarn and Chulayarnnon Siriphol there was an ongoing discussion forum organized by members of independent music collectives in the city, bringing into focus issues central to their practice. Conversations included discussions on problems facing independent musicians, issues of working in nightlife, social schisms within families etc. This was be followed by performances by the participating musicians.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/711fa547-23e7-4154-8911-02ef150a554e/Sequence+01.00_00_44_18.Still005.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Liew Niyomkarn and Chulayarnnon Siriphol</image:caption>
    </image:image>
    <image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Liew Niyomkarn and Chulayarnnon Siriphol</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/e7224097-faef-4eaa-b1c1-bce042448c0d/Sequence+01.00_00_58_23.Still007.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The evening commenced with the performance of a newly-commissioned audio-visual performance realized in a collaboration between Lemos, Liew Niyomkarn and Chulayarnnon Siriphol. Accompanying the performance by Liew Niyomkarn and Chulayarnnon Siriphol there was an ongoing discussion forum organized by members of independent music collectives in the city, bringing into focus issues central to their practice. Conversations included discussions on problems facing independent musicians, issues of working in nightlife, social schisms within families etc. This was be followed by performances by the participating musicians.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/c1d95462-def6-4e32-a165-254919b4d245/Sequence+01.00_01_06_09.Still008.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by NUH PEACE.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/eef72dcc-3039-49ea-b5c6-938dbb5d4972/Sequence+01.00_01_19_22.Still010.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Rap Against Dictatorship</image:caption>
    </image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Rap Against Dictatorship</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/0ce1cb99-4a14-4d1e-9bfb-a2856ab123b0/Sequence+01.00_01_29_09.Still014.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Sonic Continuum consisted of a program of discussions and performances around the relationship between sound and resistance from various contexts and perspectives, drawing from the eponymous long-term research project by curator Sofia Lemos. The evening commenced with the performance of a newly-commissioned audio-visual performance realized in a collaboration between Lemos, Liew Niyomkarn and Chulayarnnon Siriphol. Accompanying the performance by Liew Niyomkarn and Chulayarnnon Siriphol there was an ongoing discussion forum organized by members of independent music collectives in the city, bringing into focus issues central to their practice. Conversations included discussions on problems facing independent musicians, issues of working in nightlife, social schisms within families etc. This was be followed by performances by the participating musicians.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/501342b0-554b-4ee8-97ac-388f8df9f720/Sequence+01.00_01_34_14.Still012.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Performance by Rap Against Dictatorship.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/0020d823-9a26-45f3-9fdf-5ff363a2335a/Cam+30063.MXF.14_10_01_13.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation. The wetlands of Samut Prakan, in Southern Bangkok, are both a witness and a testament to colossal and rapid territorial transformations: from coastal erosion to flooding due to increased water levels. With communities forced to move as their homes are forever submerged, a social crisis is emerging. Beyond flattening ‘resilience’ discourses, this territory lies at the frontline of a human-generated conflict of violence and precarity. We can only measure certain aspects of this climate emergency: our sensors, tools, and units can only speculate on what future scenarios will unfold. How will the city of Bangkok adapt, once again, to its amphibian urban condition? Departing from Aerocene Studio Tomás Saraceno Aerocene’s ‘air quality sensing’, we thought we were a hovercraft, but we got stuck in the mud (aka Hovercraft) seeks new forms of knowledge exchange by questioning the notion and tools of ‘sensing’ the territorial, and social transformations resulting from climate change in Samut Prakan. Hovercraft is an event at the intersection of performance, installation, workshop, lecture, and conversation that will take place at Monitor Lizard House, which was transformed into a live-action site, of the wetlands of Samut Prakan. This hyperobject serves as a departure point to a knowledge-exchange and knowledge-generating session that will focus on exploring the limits and limitations of sensing devices to assess spatial changes triggered by climate change (such as raising waters, the disappearance of fauna and botanical species, the movement of population, and the submersion of territories) by contextualizing our existing tools, as well as suggesting new methodologies.</image:caption>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/ca4b3c29-7afa-4ede-a1ba-a2c274a96631/Cam+30091.MXF.16_02_36_01.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/597a5909-8406-4a75-a829-34e78027d770/Cam+30109.MXF.16_27_54_02.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/89ece00d-69de-4c18-a059-033e5484c38f/Cam+30110.MXF.16_29_10_14.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/25b293cd-cb37-41a5-851a-290048819b96/Cam+30112.MXF.16_31_39_11.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/5d64dc29-a106-4c65-9e16-a04017a8f198/Cam+30113.MXF.16_32_30_16.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/3b6553d1-db36-4f42-a22a-5e8b8e5c4a14/Cam+30116.MXF.16_38_04_21.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>We thought we were a hovercraft but we got stuck in the mud: Monitor Lizard Studios and the Aerocene Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/eaa71a3c-af77-43c2-9af0-085e8c8763c7/Sequence.00_00_11_18.Still002.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
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    <image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/486e7162-ffd1-40cc-9e89-94a57558746a/Sequence.00_00_48_21.Still004.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
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    <image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/23ed254e-4eb0-4638-94e2-b8055736a640/Sequence.00_01_11_10.Still006.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/f7c548a3-8ef7-402a-b2df-32490e8c0e14/Sequence.00_02_04_13.Still007.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Installation by Sornapat Patharakorn. Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/e387b7ae-ede7-4be4-845f-2b482c4f7906/Sequence.00_03_26_18.Still010.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Opening of A House In Many Parts at Baan Rim Naam, Bangkok.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/a5ab7929-b526-44aa-8a17-7dec8d07a36f/Sequence.00_04_17_05.Still012.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Installation by Sornapat Patharakorn.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/d0966a8c-2c69-45c9-81a6-5d1f07c38ff4/Sequence.00_04_19_03.Still013.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>Installation by Mona Varichon.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/4ff0f1c9-387d-4866-84fd-fdbedd6e8746/Goethe+Institute.00_00_17_01.Still001.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/4104e14b-fdde-4f26-9b2e-2863c25874d1/Goethe+Institute.00_00_29_21.Still002.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/11d40f4b-b72e-4500-baf2-cb15c3c70f7d/Goethe+Institute.00_00_32_05.Still003.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/7ca2dd25-f9c3-4b25-adef-d6f0657f5020/Goethe+Institute.00_00_45_04.Still004.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/bc0fb47d-3878-4f61-8b65-7ee324d80ec4/Goethe+Institute.00_00_46_07.Still005.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/93e7d882-e420-43ae-b77a-2511c46b02a1/Goethe+Institute.00_00_53_10.Still006.jpg</image:loc>
      <image:title>Curatorial - A House In Many Parts - An Interdisciplinary Arts Festival (2020)</image:title>
      <image:caption>The Birdcage: Film programme developed in a collaboration between Lucas Morin and Wiwat Lerwiwatwongsa</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.abhijanx.com/curatorial/the-exhaustion-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/67a7752514473b22b4fc874c/d7d4263c-45d6-42a4-98d7-c31721ed2fa5/The_Exhaustion_Project-10-Credit_Laura_Fiorio-1080x720.jpg</image:loc>
      <image:title>Curatorial - The Exhaustion Project (2016 - ongoing)</image:title>
      <image:caption>Eglė Budvytytė, Shakers, Loves, Movers (2018)</image:caption>
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